In my recent work I explore the familiar and the infinite, perceptual proximity and duration, through invented landscape and still life spaces.
By unfolding simple geometries with an intimate language of marks, gestures, and signs, I hope to move through colour beyond temporal multiplicity towards the sensual singularity of place and presence. Ultimately, I seek a perpetual visual moment. Color space and light
are located through a pressured frontality. Multiple perspectives situate architectural forms and repeated symbolic elements to involve the viewer in an archaeology of time while mediating act and intuition, body and memory, material and meaning.